Jeremy Gray

News Editor

Jeremy Gray is an award-winning landscape and nature photographer. Over the last decade, he has written extensively for many of the leading online publications in the photography industry. He has a passion for writing in-depth camera and lens reviews, educational content, and discussing the latest news from the photography world.

Articles by Jeremy Gray

A person stands beside a robotic arm in a lab setting. The robot says, "I want to look confident." In the next panel, a close-up of the robot shows it viewing an image of a person posing confidently, saying, "Pose like this!.

Robot Photographer Can Snap the Photo You Have in Mind

Photographers struggling to find the perfect angle for a group shot have often relied upon clumsy tripods, clunky self-timers, or, worst of all, missing out on being in the frame to take the photo themselves. Enter PhotoBot, a robot photographer who promises to capture a good shot and can take instructions and use a reference photo when finding the ideal composition.

A black Tamron camera lens with visible zoom markings from 70 to 180mm and a maximum aperture of f/2.8. The lens has a ribbed texture for grip and a silver mount. The brand name is printed on the side.

Tamron 70-180mm f/2.8 Firmware Update Enables 120 FPS on the a9 III, With a Catch

Tamron is a prolific lens maker for numerous camera systems, including the Sony E-mount. Since Sony released the speedy a9 III late last year, which offers 120 frames per second of continuous shooting, third-party lens makers have been updating lenses to keep pace. The latest lens to receive the update is Tamron's 70-180mm f/2.8 telephoto zoom.

Close-up of a camera's sensor and lens mount with the label "E-mount," showing a metallic circular opening and electronic contacts. The camera body has a textured black finish and visible buttons.

Sony Reusing an Image Sensor in the a1 II Is Not That Weird

A lot of the conversation surrounding Sony's new flagship camera, the a1 II, concerns the camera's image sensor. The 50-megapixel backside-illuminated stacked sensor is the same as the one featured in the original a1 which released in 2021. While some describe the reused sensor as disappointing, it is normal for Sony to use the same sensor across multiple iterations of the same camera series.

A vintage 35mm rangefinder camera with a black textured body and silver accents is shown. It's accompanied by a detachable light meter on the side. The camera has dials and a viewfinder on the top.

‘One of the Most Remarkable’ Leica Camera Prototypes Ever Sells for Over $2.1 Million

Earlier this month, the Leitz Photographica Auction previewed some of the 423 lots that were for sale over the weekend in Vienna, Austria, including a rare Leica M prototype auction organizers expected to sell for as much as 700,000 euros (about $735,000). Now that the auction has occurred, it turns out the estimate was far too low -- the Leica M prototype sold for 2,040,000 euros ($2,143,509).

Colorful auroras in the night sky with pink, red, and green lights swirling above a dark coastline. A ghostly, elongated light effect stretches from the water towards the sky, creating an ethereal scene.

Lasers, Meteors, and Aurora Come Together in Ethereal Photo Series

Photographer Reuben Wu, known for pioneering light painting in beautiful landscape photography, including through the use of drones, has begun work on a brand-new project. While the project is in progress, Wu captured some beautiful shots in August that are too cool not to share a little early.

Square image sensor with a gradient from green to blue in the center, surrounded by a black border with gold contacts. The sensor is set against a light background, and its reflection is visible below.

Sony’s New 24.5MP Global Shutter Sensor Shoots at up to 442 FPS

Sony Semiconductor Solutions (SSS) announced a new global shutter image sensor earlier this week. While aimed at industrial applications and therefore unlikely to appear in a consumer camera anytime soon, if ever, the 24.5-megapixel sensor's specifications are well worth discussing.

Two digital cameras are floating against a dynamic background of yellow and orange light streaks. The larger camera is positioned to the left, while a smaller version is on the right. Both cameras have visible lens mounts.

Sony Has the Problem Every Competitor Wants: Its Flagship Was Too Good to Follow

The Sony a1 II has arrived, and it is a fantastic flagship camera. However, while its predecessor was leaps and bounds ahead of the competition, the mirrorless flagship camera race is much closer in 2024 than it was in 2021, and it has left the a1 II in a somewhat awkward position -- it feels like the middle child in a camera series that only actually has two models.

Two Sony Alpha mirrorless cameras side by side on a yellow-orange gradient background. The cameras have prominent lenses with silver edges and dials on top.

The Biggest Differences Between the Sony a1 and the New Sony a1 II

Sony has a new flagship camera, the Alpha 1 Mark II. However, while the a1 II brings a lot of improvements, it is not a wholesale revolution compared to its predecessor, which was admittedly way ahead of its time when it launched in early 2021. So, what's new with the a1 II? How is it better?

A Sony Alpha mirrorless camera is displayed against a dark background. The camera's body, with its lens mount visible, is highlighted, showcasing its sleek design and textured grip.

Sony’ New a1 II Pairs Updated Design With Largely Familiar Performance

The Sony a1 series has been in a slightly awkward position since the a7R V and a9 III landed, each sporting a new dedicated artificial intelligence processor and improved autofocus features. The a9 III especially brought a lot to the table, including an excellent new design and user experience. Finally, Sony's flagship camera has these new features, bringing much-needed modernization.