Everyone has an intimate relationship with food. The job of food photographers, says an award-winning pro, is to create images that connect food’s personality to people who consume it.
The resurgence of film photography in recent years has breathed new life into the world of analog cameras and for many, the 35mm format remains the gold standard. Its perfect balance of image quality, convenience, and affordability makes it a favorite among both newcomers and seasoned photographers.
During the tumultuous years of World War II, communication between American soldiers overseas and their loved ones back home was not just a matter of personal comfort but a crucial element in maintaining morale on the front lines.
To take a photograph is to encapsulate a singular moment in time and space in the form of an image. In order to do that, no matter what kind of equipment we are using, we need a sort of tool to divide the past and future from the singular present, the precise moment that we wish to capture – no matter how long or how fleeting it might be.
Photography is an art and science deeply rooted in the manipulation of light. From the earliest days of the camera obscura to the digital age, photographers have sought to control exposure—the amount of light that reaches the camera sensor or film—to create compelling images. Central to this control are the variables of aperture, shutter speed, and ISO (no, ISO does not actually change the sensitivity but nevertheless plays an integral role in exposure choices).
Knowing a camera’s ISO limit isn’t just a technical curiosity. It’s the difference between capturing stunning, clean images or losing details to distracting noise.
In the world of professional photography, the choice of print medium can dramatically affect how an image is perceived and experienced.
H&Y announced its next-generation, dual-function RevoRing Mark II, which uses the same adapting filter thread that the original RevoRing debuted and combines it with a dual rotating circular polarizer and variable neutral density filter.
Arguing the upside of proximity, photographer Robert Capa said, “If your pictures aren’t good enough, you’re not close enough.” In-studio commercial photographers, with robotic cameras and high-tech lighting, get plenty close to their subjects.
Few lens makers can claim a lineup as huge and diverse as Nikon's. Its legendary F-mount for film-based and digital SLRs has been in continuous production since 1959, along with the newer Z-mount specifically for mirrorless cameras that launched in 2018.
As a photographer, you are taught to see different compositional elements in other people’s work, and you apply the elements that resonate with you to your own work.
Nowadays, we photographers are a bit spoiled. With how much power current-day cameras and lenses are packing, we can feel free to relegate a lot of the most basic operations, from determining exposure to acquiring focus and more, to automatic functions.
If you, like me, are prone to idly perusing the catalogs of your favorite camera store searching for the next bit of kit to add to your collection, you’ve probably stumbled into the “Professional Video” section and been absolutely bowled over by how much money one can spend on literally anything in this category.
“When you realize the value of all life, you dwell less on what is past and concentrate more on the preservation of the future.” --Dian Fossey
If you’re an aspiring photographer, you’ll know the presentation of your work is just as crucial as the images themselves. In a competitive field, your portfolio serves as a visual resume, showcasing not only your technical skills and artistic vision but also your understanding of presentation mediums.
About a week ago, I caved in and decided to spring for one of those huge, high-power USB-C power delivery hubs that have sprung up in the past couple of years.
With the Fourth of July quickly approaching in the United States, photographers are getting ready to capture the magic of fireworks shows. If you want to nail some spectacular shots, you'll want to pay attention to a few key tips.
This is a photograph that was on the wall of my house when I was growing up — it’s Jerry Uelsmann’s Self-Portrait as Robinson & Rejlander (1964). I always wondered who those guys were. I was about to find out.
As a huge nerd for the history of photography, I've spent a lot of time reading about and studying products of the past. And there have been a lot, to say the least.
The tattooed man arrived at the photographer’s right on time, a walking gallery of living art in vibrant blues, greens, and reds imprinted all over his face and neck. He sat for a portrait in the studio as scheduled.
In the world of photography, achieving precise focus is a requirement when capturing great images. Whether you're shooting a landscape, a candid portrait, or a blink-and-you’ll-miss-it moment in a fast-paced event, sharp focus can make or break your image.
Throughout photographic history, few cameras have had the kind of defining influence that can compare to the original Barnack Leica. It’s only natural that the industry of the time would react impulsively to the arrival of such a new, exciting, and innovative breed of camera – which is exactly what happened.
Although there is no such thing as a sure thing when it comes to dazzling aurora displays, tonight offers photographers a great chance to see the northern lights.
As many of us, including myself, prepare to travel this summer, we -- as photographers -- tend to carry a lot of lithium batteries for our photography gear. After all, we aren’t going to check our precious and pricey cameras, lenses, and other equipment. Naturally, batteries are a necessary component of any photographer’s kit, whether they be camera batteries, lithium-ion AA or AAA batteries, or something else.
Back in the day, 35mm film was called “miniature” format; its itty bitty negatives were considered only good for snapshots and maybe street photography (sorry, Leica shooter Henri Cartier-Bresson). Serious photography—landscape, portraiture, documentary, commercial—was dominated by medium format film, a platform that produced images with fine detail and luscious tonality, even when blown up to make billboard-size prints.
Nothing to see here. You take photos on a smartphone to share them on social media, and that’s it. Only a tiny minority of phone users would ever ponder the color gamut of smartphones or their color management. Accuracy is not a priority.
After years of anticipation, the 2024 total solar eclipse has finally arrived. Many millions of Americans will be in or near the eclipse's path of totality, ranging from Texas to Maine. However, hundreds of millions more people will have to find other ways to enjoy the celestial event. That's where ABC News and National Geographic come in with Eclipse Across America.
National Geographic photographer, Canon Explorer of Light, and friend of PetaPixel Keith Ladzinski is preparing for the total solar eclipse on April 8th and has plenty of tips to help other photographers capture great shots next Monday.
For those who may have somehow missed it, a historic total solar eclipse will be visible across much of North America on April 8. Photographing an eclipse can be tricky, but fret not. You'll surely capture some great photos next week with these helpful tips.
My hobby is film photography, which involves collecting interesting cameras, taking photos, printing pictures, and so on. Within this fairly common hobby though I have a particular niche interest, which is tracking down and trying out cameras that feature in film and media.
